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How to organize a vast amount of musical information
How to organize a vast amount of musical information in your mind. – by Kevin M Buck
Many guitar players I know have trouble remembering all the various things they learn. They learn certain things, but cannot relate them to anything else. Also, they end up having a bunch of information (chords, scales, licks, songs, etc.) just floating around, and end up chasing there tail learning new things while forgetting other things. So I am writing this column to help broaden the spectrum of knowledge for the student of the guitar.
I am assuming that you have basic knowledge of formulas and some theory but even without that you can use this as a guide to what you should learn and memorize. Think of music or guitar as a tree and all the aspects/elements of music are branches on that tree. By organizing the individual chords and scales properly we can quickly identify the information in our mind like a file cabinet. For the most part all music can be identified by chords and scales also known as harmony and melody or riffs and solos.
Outside of the obvious practices like technique, rhythm, reading, writing, learning songs, creating songs. We must learn and memorize scales and chords. Here is a systematic approach to which chords and scales we should learn and memorize in order of importance. Fingerings and formulas for these chords are easily found but I will get into formulas and chord theory more at a later date. Of course depending on the genre of music you play the order of importance may change.
After memorizing power chords and the basic 8 open chords: ( A, Am, C, D, Dm, E, Em, and G)
We must memorize all the chords with only 3 different notes in them and then the inversions of those chords.
There are only four types of chords with 3 different notes in them they are:
Major, Minor, Diminished, and Augmented chords. After memorizing the fingerings and inversions of those 3 note chords then move on to 4 note chords the first 4 basic chords we should learn with 4 different notes in them are diatonic seventh chords also referred to as polychords:
Major 7th, minor 7th, Dominant 7th, and ½ diminished chords.
Then we should memorize suspended and add chords. The difference between suspended and add chords is that suspended chords have no 3rd while add chords are just adding in another note to the chord without taking out the 3rd.
Sus9, add9, sus4, add4 and 6 chords.
After memorizing the 7th chords and suspended/add chords we can then add Minor/Major7, Major7#5, Diminished 7(these chords work in a harmonic minor key).
Then the family of dominant seventh chords:
9, 11, and 13th chords
Then the family of major seventh chords:
Major9, Major11, Major 13
Then the family of minor seventh chords:
Minor9, minor11, minor13
Then altered 7th chords:
(dom7b5, dom7#5, dom7b9, dom7#9(the Jimi chord), dom7b13, dom7#11) This of course is not a complete list but is a good start. Of course learning about chord theory is of supreme importance after a little while but I will save those ideas for another column. Organize these chord types from first to last do not learn any new chords until you have memorized the last bunch to assure that you will not forget what you previously learned. Otherwise, you will still be chasing your tail.
Here is a list of the scales that you should learn and memorize:
Major and minor pentatonic scales
Major and minor blues scales
Major and minor scales and modes (Ionian, Dorian, Phrygian, Lydian, Mixolydian,
Aeolian, and Locrian)
Harmonic minor scale and modes
Melodic minor scale and modes
Hybrid blues scales
Diminished scales (half/whole and whole/half)
Augmented/whole tone scales
Chromatic scale
Hungarian and Gypsy minor scales and modes
Then other pentatonic, hexatonic, exotic, altered, symmetrical, and synthetic scales Make sure you dwell on the feeling that each of these chords and scales evoke to you when you hear them so you will recognize them later when you here them. Perhaps meditate on there colour or various memories and feelings that you get when hearing them. Or for those of you incapable of creative thought at least relate them to a song or guitarist that uses them.
Think again of the tree. From life, to music, to guitar, then branching into chords and scales to all these different types, branching off from the chords and scales. Of course this tree branch approach can work with any other musical element such as rhythm, tempo, dynamics, technique, timbre, form, etc.
You must be sure you memorize the first thing before going to the second then be sure you have the first and second things memorized before moving on to the third. Otherwise you will be juggling too much info and not get anywhere. Don’t feel overloaded because of the fact that there is so much shit to learn. Remember every long journey begins with one step.
In future columns I will teach an easy method of learning how to figure out which scales to play over various chords (meaning how to solo over riffs). As well as relating standard rules of magick and occult knowledge to help us with our musick and lives. Things like the relationship between Gods, planets, colors, sounds, astrological signs and earth elements.
Hope this information will help you on your journey to the realm of uncreated light. Wish you all eternal peace and happiness until our paths cross again.
Farewell,
your fraternal brother of music, light, love and life.
Kevin M Buck
Email: kevinmbuck@hotmail.com
Riff's Fun Zone - Just a bunch of free guitar stuff ya might dig... Please send me links to other useful cool sites and I'll post them in the Zone.
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