Hello there… Once again, Welcome to Guitarz Forever.com. This is Scott here and I would like to talk with you about playing guitar with speed.
First, I would like to say that when I started out… Yes! I’m guilty of this too… I would try to play a zillion miles an hour! I’ve got old recordings of me trying to shred and sounding so horrible. I started to enjoy my lead lines more when I learned to slow down and worked hard on my phrasing. When I listen back to those ol' recordings, I get a laugh. My timing, tone, and picking hand just sucked. When playing with speed, you must not sacrifice any of those things. However, that all changed when I started using a metronome / click track. My practices immediately became more exciting and fruitful. I play single note, double note, triple note per string runs and things of that nature. Then you can practice modes and sequences, etc. I have this DVD and book from the “Thunder from Down Under” Frank Gambale’s “Chops Building Workout” program. I highly recommend this product. Frank uses scales to help you through his many fingering and picking exercises. He uses major, minor, diminished, and augmented scales throughout the course. And man… does he know how to make your hand strong. No pain, no gain… You gotta feel the burn! So… please, back up and start a scheduled regimen and just keep pickin’ away to becoming a cleaner faster, guitar player and never ever sacrifice your tone for speed!!! - Scott
SPEED VS. SPEED
By Angel ZamoraIn my experience, most guitarists tend to fight against the difficulty of new chops, phrases, licks, riffs, etc. for a simple reason - they want to play them with speed as soon as possible (perhaps in the same moment in which they are reading them for the first time).
The problem is, if you don’t understand why those licks, phrases, etc. exist in a contextual manner you’ll be losing the starting point to develop speed on those chops, licks, etc.
Why? Because sometimes the writer of those chops, licks, phrases, etc. is thinking of several different things at the same time that will affect in the speed or your speed to play such music.
-The tone of a certain string
-The facility to play certain notes
-The picking hand
These points influence the writers of
phrases to play in certain ways, and sometimes these ways are “obstacles”. I’m
referring to “obstacles” as those things playable in a different way, being
unnecessarily complicated just for the fun of the writer of such music.
So you have to understand and separate these points in the chops, phrases, licks, etc. As obstacles or as a necessary matter of expression; after doing this you’ll reach a better visualization of the speed and your speed will be developed in a faster way, because those “obstacles” could be played in a different way while you keep the expression or feeling.
Here I give you some points to bear in mind:
It seems that many guitar players forget the value of the notes of a lick, phrase, etc. and just play the notes as fast as they can and just kill the original feeling, so when a band covers a song and for example the timing of the solo changes, most of the time the result is a bad version of the original. So, if you’re planning to cover a song and you’re changing the timing of a portion of the song, you have to really improve or keep the feeling.
The tone of a certain string
If you have noticed, only the 1st with the 6th string (in a guitar with at least 23 frets) include all the notes possible in the range of a guitar with 6 strings in standard tuning, so, why are there those other 4 strings?
Well, the reason is tone, if you play the same note in a different string you’ll get a thinner or a thicker note (this means in physics terms that the frequencies of the waves are the same but the amplitude of the waves are different).
Ok now, why is it important to choose a certain tone? Well, when you play a certain note on one of the strings, this string gives you certain feelings. For example play the 19th fret of the 6th string and at the same time the 19th fret of the 1st string. Now play the 2nd string open and at the same time the 19th fret of the 1st string. You’ve played the same notes but the feeling is different, and the difference of feeling will be more subtle while you choose closer strings to play the same notes.
The facility to play certain notes
Let’s take the last example again, play the 19th fret of the 6th string and at the same time the 19th fret of the 1st string. Now play the 2nd string open and at the same time the 19th fret of the 1st string. You’ve played the same notes but the facility to play them has changed.
So here is why some writers choose certain strings to play certain notes, and you must understand if you are going to play the same notes but in different strings, you are changing the feeling, perhaps subtly but there’s a change that many people can hear.
Ok, now I’ve given you a very basic introduction to know why a chop, lick, phrase, riff, etc. is written in certain manner, with this you can start learning new chops faster, because you know some important points to keep in mind and you’ll reach your goal with confidence just changing what is not important. And remember always begin learning something new slowly.
See you next time!
©Angel Zamora All Rights Reserved. Used by Permission
These guitar clinics introduce you to brand new techniques and ideas and also "fill in the gaps" of your present understanding. They empower you to get the most out of your guitar playing and cover a wide range of topics and techniques.